A shaman is an intermediary between this world and the spirit world. The people struggle to survive, furiously and with exceptional vitality, always on the verge of tragedy. He breaks up with his fiancée Anna and his friends. Michał's life is turned upside down by the discovery of the shaman's body and his increasingly obsessive love affair with the Italian. Actor Iwona Petry was chosen by Director Żuławski after he met her accidentally in a café in Warsaw. A Shaman’s Mastery. They speculate the act was perhaps done to release his spirit after death. Szamanka. Szamanka (Polish pronunciation: [ʂaˈmaŋka]) is a Polish-French-Swiss film, released in 1996, directed by Andrzej Żuławski and adapted from a screenplay by Manuela Gretkowska. And finally, the reunion of a major filmmaker with his compatriots. Michał is engaged with Anna (Agnieszka Wagner), an architect and the daughter of his boss. Szamanka (The Shaman) Poland, France, 1996 Directed by: Andrzej Żuławski Written by: Manuela Gretkowska Cinematography: Andrzej J. Jaroszewicz Music: Andrzej Korzyński Producer: Janusz Dorosiewicz Produced by: Visa Film International Starring: Iwona Petry – Italian Bogusław Linda – Michał By continuing to use this website, you agree to the use of cookies in order to offer you content and services that are tailored to your interests. In France, the film had a limited theatrical release and sold 11,150 tickets.[2]. My hope is to respond to that freshness by consolidating it with maturity and an aestethic sense that will bring out all its latent lyricism. It is the call of the shaman to bring balance to this chaos. Andrzej Żuławski’s adaptation of Manuela Gretkowska’s provocative and hugely successful novel reaches new extremes in the depiction of brutality, sex, and passion as it tells the story of a young(ish) anthropologist driven by the mystery surrounding the death of a recently discovered shaman. Gretkowska studied philosophy at the Jagiellonian University in Kraków. Szamanka was also screened during the 1996 Venice Film Festival. "[3], My Nights Are More Beautiful Than Your Days, https://en.wikipedia.org/w/index.php?title=Szamanka&oldid=990912740, Polish avant-garde and experimental films, French avant-garde and experimental films, Creative Commons Attribution-ShareAlike License, This page was last edited on 27 November 2020, at 06:13. Nevertheless, after completion of the film Żuławski called Linda a "charismatic actor". The music, when used in this way, gives the viewer the impression that Michał romanticizes the Shaman as he delves deeper into obsession. Classmates called her "Italian" ... She is extremely beautiful and radiates a certain primitive, dangerous sexuality ... which is run by wild animal instincts: the girl is unpredictable, swift and mad. In a moment of illumination, Michał speaks with the spirit of the shaman who reveals that he was killed by a woman who wanted to capture his magic power. A girl ready to offer everything and risk everything, the way Zulawski likes them. The production was then financed by Canal + Polska, Visa Films, the French Compagnie des Films, and several private investors. The second main theme, Zdrowas Mario, is used first in the sex scene between the "Italian" and Michał.[1]. This discovery changes his life and has violent, brutal and surprising repercussions on his affair with th young woman, known as "the Italian girl". The business is concluded by a violent sex scene between the two in the empty apartment. Authoring 20 books, Żuławski has appeared in a few feature films, including Andrzej Wajda’s Samson, Joy Fleury’s Sadness and Beauty and the TV mini series by Josée Dayan Dangerous Liaisons.His life and person is illustrated in several documentaries: Melancholy: a portrait of Andrzej Żuławski (1994, a joint Polish and Belgian production, dir. Shamans traverse the spirit worlds by inducing an ecstatic state, which leads to states of trance and spiritual, or sometimes physical, transformations. In the laboratory, the researchers consume the shaman's mushrooms, and in a delirium attempt to bring him back to life. Żuławski and Linda had a difficult relationship on the set and the two were even bitterly commenting on each other in the Polish press. Finally, the film Żuławski called Linda a `` charismatic actor '' the violence, exuberance sexuality. Up with his fiancée Anna and his friends spiritual guides and practitioners, not the. 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